GEOFF EMERICK BOOK
Geoff Emerick's “Here, There and Everywhere” is a fascinating book for any Beatles fan and I would recommend it, though it is not without its problems. Emerick. Here, There and Everywhere: My Life Recording the Music of the Beatles Mar 16, by Geoff Emerick, Howard Massey · Kindle Edition. $$ Start by marking “Here, There and Everywhere: My Life Recording the Music of the Beatles” as Want to Read: Geoff Emerick became an assistant engineer at the legendary Abbey Road Studios in at age fifteen, and was present as a new band called the Beatles recorded their first.
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General views of the Here, There and Everywhere: My Life Recording The Music Of The Beatles - A Conversation With Geoff Emerick at. In , Emerick released his memoir, Here, There and Lennon's account in Lennon Remembers, the book also presents arguably the to correct Emerick's statements in Here, There and Everywhere. Results 1 - 7 of 7 Discover Book Depository's huge selection of Geoff-Emerick books online. Free delivery worldwide on over 20 million titles.
General views of the Here, There and Everywhere: Beatles producer George Martin has a nice little remembrance called All You Need Is Ears , but it was his mids engineer Geoff Emerick who shot past him in the post-career Beatle book game. Emerick was integral to the sounds of Revolver and Sgt.
My Life Recording the Music of the Beatles
Pepper — he is, in his way, as responsible for McCartney's bass tone at the time as the bassist himself — and the band's sonic palette was never richer. Here he tells you how many of those sounds came to be at Abbey Road, and what might have been a dry accounting for gearheads pulses with "damn, I didn't know that! The knock on this Philip Norman bio has always been that he looks down on his subjects, but the author's honesty is admirable.
In fact, the most compelling Beatles books tend to be the ones that you can have a mental punch-up over, disagreeing with a given taken, but enjoying it all the same because it makes you think, or sends you back to reevaluate something.
Norman puts his readers through these enjoyable paces, and he also nails the Hamburg period better than anyone. If you want the spirit of the Beatles hustling and grinding on the Reeperbahn, trying like madmen — and pilled up, desperate, manic madmen — to get somewhere, get good, get better than everyone else so as to give the world that eventual fist pump of being the best, you come to this book.
The volume many people think of — erroneously — as the first Beatles book set a high standard with its frankness. Released in , The Beatles was the only place, for a long time, you could get examples of the correspondence between John Lennon and Stuart Sutcliffe. Consider these lines from a poem Lennon sent his friend: Don't be put off by the authorized-access element — clearly these were guys who needed to unburden themselves of some truths they'd been toting around for the bulk of a decade, and they pile up here.
Lennon is more hurt than angry, one senses, as he lobs stones at the stained-glass windows of Beatledom. Ironically, for all of the bashing, the book presents McCartney as the Beatles' most talented member, reflecting a respect that Lennon clearly feels.
He tells you — not always correctly — who wrote what, song-wise. But beyond the hurt feelings and foggy memories is a clarity of thought that emerges almost despite the man himself. As he says: And realism gets through to you, despite yourself. You recognize something in it which is true, like all true art.
You wouldn't think you'd be able to turn what's basically a log book of every Beatles session at EMI studios — running down who the producer was, who the engineer was, what songs, backing tracks or overdubs were put on tape — into a page-turning wonder, but so it goes here.
Lewisohn, whose gargantuan Tune In — the first of a three-volume Beatles series — came out a few years ago, has never been good at discussing why a song functions as well or not as well as it does, but he does have a knack for situating you in a spot. Reading Recording Sessions , you practically find yourself sitting in the studio as the band start up the next take.
Geoff Emerick, The Beatles' Grammy-Winning Engineer, Dies At 72
This was also the first time readers got a sense for the treasures locked away at Abbey Road, the gems that would surface on a lot of bootlegs that further changed how one understood the band.
The scandalous choice. This gossip orgy was a huge seller, and it brought the dirt, thanks to Brian Epstein assistant Peter Brown. Indeed, the "cat" in question, recording engineer Geoff Emerick, was that and much more.
A fixture behind the recording console for a large part of The Beatles's career, Emerick did much to shape the ground-breaking sounds of The Beatles's post-touring studio years Revolver, Sgt. Golden Ears" by his EMI colleagues though reading the book one can suspect the nickname was served up with generous helpings of English taking the you-know-what.
Here, There and Everywhere
Even today Emerick's contributions aren't always common knowledge. The fact that this self-effacing man's story has been so seldom told makes Here, There and Everywhere a must read for any serious fan of The Beatles music.
The book, serviceably penned by Emerick and American music journalist Howard Massey, shrewdly begins with Emerick 19 years old but already with three years EMI experience nervously taking the place of Beatles sound engineer Norman Smith and staking out his turf first day on the job. Of course, this is no ordinary day — it's the start of the Revolver sessions and The Beatles are recording "Tomorrow Never Knows". Geoff will be carrying on in his place," replies Martin casually.
So much for modern job orientation techniques then, The Beatles are hungry for new sounds. Lennon's voice put through a rewired Leslie speaker and a revolutionary new drum sound for Ringo?
All in a good first day's work for Geoffrey. The Fabs are smitten, Emerick is relieved and EMI's "proper" use of equipment manual is put on notice. From there, we're quickly taken through Emerick's childhood in post-war London and his early fascination with music and recording.
Here, There and Everywhere
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Alexa Actionable Analytics for the Web. Sell on Amazon Start a Selling Account.Well, nothing te Like a lot of books about music this is appallingly ghost written, with ghastly cliches and corny embarrassing dialogue all over the place which is impossible to believe of course why do people think they have to invent 40 year old dialogue anyway?
He simply says that Lennon was often detached and lacked attention to detail, and was distracted alot.
His memoir Here, There and Everywhere: He also prepared the Beatles Anthology material for release on CD as well as engineered the new recordings "Free as a Bird" and "Real Love", using demo tapes of John Lennon provided by Yoko for the surviving Beatles to complete.
Everything Fab Four.