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LOVELY BONES BOOK

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The Lovely Bones is a novel by American writer Alice Sebold. It is the story of a teenage . However, Sebold has stated that the book is not intended to be religious, "but if people want to take things and interpret them, then I can't do. Start by marking “The Lovely Bones” as Want to Read: The Lovely Bones is the story of a family devastated by a gruesome murder -- a murder recounted by the teenage victim. Remarkably, first-time novelist Alice Sebold takes this difficult material and delivers a compelling and. I have gone back and forth on whether or not to write this book review. If you've read the novel, then you will understand why. The Lovely Bones.


Lovely Bones Book

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Alice Sebold's The Lovely Bones, a first novel about child murder narrated from heaven, has been a massive hit in the US. But Ali Smith finds it. Violent, disturbing read meant for discussion with teens. Read Common Sense Media's The Lovely Bones review, age rating, and parents guide. Much as this novel is about "the lovely bones" growing around Susie's absence, it is also full of suspense and written in lithe, resilient prose that.

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Now his immortal, nearly omnipotent master has cast him aside. Bitten Kelley Armstrong 9. Elena Michaels is a model woman for the 21st century: And like every modern woman, she has her secrets.

Nothing extraordinar Blood and Feathers Lou Morgan 9. When two angels arrive, claiming her life so far is a lie, it turns epic, g Monster Republic Ben Horton 9.

Read a free preview of The Lovely Bones by Alice Sebold

An explosion in a nuclear power plant. Kids patched up with scavenged body parts and bionic implants. A growing army of superhuman soldiers programmed for destruction.

Ben Street: When the students of a famous Performing Arts School left for their outing to Stonehenge one morning in , they had no idea they would witness the crash of a meteorite. The Never Pages Graham Thomas 9.

The Lovely Bones by Alice Sebold

The Never Pages is a very odd book to behold — there's no blurb on the back, no author announced on the front and it actually looks like an old journal. It tells The Enchantment Emporium Tanya Huff 9. Alysha Gale is twenty-four, unemployed, and tired of her family meddling in her life personally and magically.

So when a letter arrives from her missing grandmother, bequea Kate Harker and August Flynn are the heirs to a divided city, a grisly metropolis where the violence has begun to create real and deadly monsters.

All Kate wants is to be a Rating 8. An unflinching and hard-hitting look look at murder and the afterlife. Free preview. The event that shapes the book is covered immediately, so the following is not a spoiler: First the positive: Write a reader review Thank you for taking the time to write a review on this book, it really makes a difference and helps readers to find their perfect book. First name Country where you live Book Your rating out of 10 1 2 3 4 5 6 7 8 9 10 Your review.

Latest articles Cover reveal and exceprt: Book and a Pint: In her recent book of essays, Negotiating with the Dead, Margaret Atwood analyses the unique power of the fictional terrain where voice is still heard beyond death. Using Alice Through the Looking Glass as one of her analogies, she says: At this one instant Alice is neither here nor there, neither art nor life, neither the one thing nor the other, though at the same time she is all of these at once.

At that moment time itself stops, and also stretches out, and both writer and reader have all the time not in the world. The dead year-old heroine of Alice Sebold's The Lovely Bones is stranded in a much less supple, much more primitive and chronological parenthesis.

A perfect afterlife

This novel, Sebold's first, was clearly born from her own horrific rape experience as a teenager, detailed in her memoir Lucky , whose first paragraph reads: I was told this story by the police. In comparison, they said, I was lucky. It was still back when people believed things like that didn't happen.

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They are characters from an above-average TV movie inhabiting this new "ground zero" - the sharp-witted sister, the distracted mother, the too-hurt father, the ethnic boy, the life-is-tough adolescent girl, the oddball murderer, the tipsy too-ebullient grandmother and the crumpled, touched-by-tragedy detective.

Not much is possible from heaven, though Susie makes occasional contact with those she misses. Time inevitably passes "however haphazardly, everyone I'd known was growing up" , bringing its own patterns of healing and meaning.

The book's "bones", above all, cease to be those of Susie's never-found body, or the animal bones her creepy killer plays with to distract himself from other young girls; instead they become "lovely", being connections between loved ones "that happened after I was gone.

And I began to see things in a way that let me hold the world without me in it. Perhaps the reason The Lovely Bones has been such a hit in the US is something to do with the aftermath of public mourning after last year's terrorism, the reassurance and satisfaction of being able to hear the voice of the gone and to piece together the future after cataclysm.

I can't think why else, because though it's a great idea for a book, and though its opening chapters are shattering and dazzling in their mix of horror and normality, after the first 50 pages the energy dissipates and something much blander than the opening has promised starts happening both in the writing and in the narrative.

Possibly this is an interesting, calculated blandness, Sebold being concerned with the creation of a safe and supportive place in the face of a horror she herself has been so close to. Regardless, it deadens the narrative.From her place in heaven she watches the effect her murder has had on her suburban family as they try to cope with their grief.

Report this review. Jun 13, Lee rated it liked it. Community Reviews.

But I found the latter half suffered from a lack of focus and, yes, I felt it became overly sentimental at times, particularly as it neared its end. So, it's a big old tease when Sebold abruptly states "I saw him.

It's seen unilaterally as an evil, wicked deed.

Susie's voice accompanies the reader throughout the entirety of the novel, yet she often withdraws into the position of an observer; Sebold presents us with the family's reactions and the events surrounding the search for Susie's real murderer, but rarely gives Susie a chance to comment on what she is capable of seeing from her position in heaven.

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