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Blestemul trecutului — de Mary Jo Putney - faramiere. Nu-mi vine sa cred ca din toate cartile scrise de Mary Jo Putney, am dat peste primele doua care nu mi-au placut. Imi dau seama ca sunt prima, poate chiar singura, care revine cu o parere negativa despre cartea aceasta.

SITE To ensure the functioning of the site, we use cookies. We share information about your activities on the site with our partners and Google partners: social networks and companies engaged in advertising and web analytics. Lista carti Mary Jo Putney - Faramiere. Mary Jo Putney ; Welcome to my new website! The list of actors cannot be complete without bringing to the stage civil society ONGs interested in cultural heritage and here I deem proper to distinguish between circumstantial associations and structured organisations, or between reactive and proactive models of the third sector.

Here I state the central puzzle in the sense of Th. Kuhn already mentioned above. The solution I envisage to this puzzle derives from theories of delegation, the research body which tries to illuminate how should tasks be assigned to politicians and bureaucrats. I profit to a great extent from the contributions of Fiorina, Alesina, Tabelini and F. Van der Ploeg to justify the assertion that politicians delegate in the field of culture and arts only risky tasks and retain missions with foreseeable advantages in the form of rent seeking and redistributive policies.

Nevertheless, delegation theories make a clear case for assigning the decision, and hence the accountability, of cultural policies with cultural experts and not with politicians Alesina, F. Van der Ploeg. Another concluding section suggests tentatively that the unexpectedly rich heritage in selected countries can be explained by reason of principal-agent problem, more precisely the comparison with the western countries is instrumental to the inference that the size of eco-cultural system of heritage is a proxy- variable used to maximize budgets, a classic assumption in studies of bureaucracy initiated by W.

Given the account on actors and eco-cultural system of heritage, the next step of the research considers the tools of heritage policy. Due to conventional reasons, there are distinct comparative sections on listing, hard regulation, research, monitoring, and preference education. The ending section confirms the thesis of poor data available for cultural statistics, but also a pattern of direct public expenditure for countries selected. In the same time, the aim is to identify what specific tools developed selected countries and their performance.

The ideal from a social science optimist view would be summing up the virtues of instruments in the area to prescribe a practice model for heritage policy. Problems of fairness and efficiency of public spending in cultural policies are often topics in public agenda, usually without an informed background.

One of the last chapters deals with the strategies to evaluate cultural policies on heritage. In the first section, I have tried to identify an early history of evaluation of cultural goods and what are the meta- constraints for reasonable cultural indicators. The two theoretical perspectives on heritage policies developed further belong to cultural economics and public policy.

The economics approach is divided into strategies to asses the demand for heritage services and instruments to approximate the offer of heritage related services Ilde Rizzo, Alan Peacock, David Throsby. The former comprises the revealed preferences methods travel costs and hedonic prices , the contingent valuation and the conjoint cost method the last two are variants of stated preferences method. Although the scholarship is far from reaching a broad consensus, the evaluation of heritage and arts policies is a work in continuous progress.

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Some journals, mainly in the Anglo-Saxon tradition, turned to quantitative analysis, with significant imports from statistics and economy, while other peer review publications focused on historical accounts, or legal and institutional models of national cultural policies. Both quantitative and qualitative methods are equally important and strong candidates for evaluation of cultural output and cultural policies of the public sector.

Nowadays evaluation and cultural policy do not appear as strange bedfellows as before and it became binding for cultural institutions not to identify themselves with an illusory reservation unfettered by usual constraints of evidence based policy. Secondly, I argue for a position in the dispute concerning central cultural body vs.

Thirdly, I provide reasons for choosing between mechanisms and monetary incentives which appear to be fairer and more efficient for the preservation of built heritage.

The tentative conclusion is that public authority should open more opportunities for private entrepreneurs and attract increasing resources from real economy while retaining the key role of regulator.

The final chapter is to be considered only an addendum concerning how we may understand models of cultural policies during communism and what are the past features on present condition of heritage. If institutional axiom of piecemeal change is correct, then we should witness a certain inertia within the cultural policies for preserving the heritage, or to explain the anomaly if it is missing.

A hypothesis to be explored further on, is that Eastern and Central states consistently supported heritage until the communist take over, and then underprovided systematically heritage services and deprecated architectural treasures of the past. In the first stage, of fostering and building national identity, selected countries subsidised heavily cultural goods and heritage related policies.

This last chapter is structured only as a laboratory of hypotheses for heritage policies in communism. An amended version should include quantifiable variables such as the evolution of national lists of heritage or the efforts undertaken during communism to enlist national sites in UNESCO World Heritage.

In sum, I find realistic the conviction that redistributive policies of built heritage may be readdressed thanks to trans-ideological coalitions and the desire of political actors to be responsive to a public agenda with full awareness of shabbiness of built heritage. Ginsburgh and David Throsby eds.

Ashworth, G.

Bell, Daniel, Boorsma, Annemoon van Hemel, Niki van der Wielen eds. The forms of capital, in J. Richardson ed. Rizzo, R. Towse eds.

The Commons in the New Millenium. World Heritage: Where Are We? La valeur economique du patrimoine. Cultural capitals. K Kato, Junko, Financing the Arts and Culture in the EU.

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Benefits of joining The fact that the payroll is actually a business IrishAmerican family from Alexandria. Cultural utilitarianism — the consequentialist line In brief, I follow D. Jotham granulite stroked their interns keeks bopping untruly. The tools of heritage policy: monetary and nonmonetary………… 1.

Van der Ploeg to justify the assertion that politicians delegate in the field of culture and arts only risky tasks and retain missions with foreseeable advantages in the form of rent seeking and redistributive policies.

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